This interview was included in the Budokan limited edition of the first album, sold only at their Budokan concerts on 2014 Mar. 1st & 2nd. Probably recorded just before the Legend "1997" concert at Makuhari Messe on 2013 Dec. 21st.
The company said they wouldn't sell it anywhere else, so I've uploaded this video with English subtitles for non Japanese purchasers and for the overseas fans too far to get there. The video uploaded on YouTube was blocked a day later, and the copies on DailyMotion were deleted, so I uploaded the video to Google Drive on 2019 Aug. 31st.
I tried to translate literally but modified many clause structures to keep the phrase orders, and sometimes gave up translating literally.
Click [CC] or "Settings" at the bottom-right if the subtitles are not displayed.
There are blanks at both the top and the bottom of the video, but this is the proper aspect ratio.
Notes
- BABYMETAL was started as one of the subgroups of a girl idol group "Sakura Gakuin" (さくら学院; Cherry Blossom School). It was also called "juu-on-bu" (重音部; the heavy sound/music club), compared to the extra-curricular (club) activities of Japanese high school.
- They talked about their debut at Sakura Gakuin's school festival (audience: 300?).
- This date is the first time this tune was performed (according to Wikipedia), and it has been performed many times since then though the CD single was released on 2013 Jan.
- This day they performed six tunes without band. Before this, they performed four tunes in similar situations on Jul. 7th in Osaka and on Jul. 8th in Nagoya, which are called "Hedoba Angya" (ヘドバ行脚; headbanging pilgrimage). But they are regarded as the CD release events, not as solo concerts.
- "鹿鳴館" (Rockmaykan / Rokumeikan) is a music venue (capacity: 250) established in 1980 at Meguro, Tokyo, named after a famous building of Meiji period.
- Many famous Japanese bands (not limited to the metal) have performed here in their early days. "Gateway-to-success" is for "登竜門" (tooryuumon), an idiom based on a Chinese legend that a carp swimming up the rapids named "Dragon Gate" of the Yellow River will become a dragon.
- It was the premium concert for those who bought the limited edition of "Headbangeeeeerrrrr!!!!!" including a neck brace. The audience were required to wear the neck brace.
- Only two encores ("Headbangeeeeerrrrr" & "IJIME, DAME, ZETTAI") were performed with live band.
- It seems that well-trained idol fans can find at first moment what they should do and immediately do it.
- They sang "Over The Future". Karen Girl's (可憐Girl's) was a girl group consisting of Ayami MUTO, Yuika SHIMA & Suzuka NAKAMOTO (10-12 yr. in 2008). They were formed to sing the opening songs of the anime "Zettai Karen Children" (絶対可憐チルドレン). Miss Yui wrote she had acquainted with Miss Ayami before Karen Girl's and why she loves the song, in the recent article of Sakura Gakuin's school journal.
- The dance remix version is called "Headbangeeeeerrrrr -Night of 15 mix-", played as BGM of this part of the interview. The choreography was a bit modified and they danced with four lady dancers wearing bone suits, called "Sisters Bones".
- The members of Sakura Gakuin, as its rule, leave the group when they graduate from junior high school. 2013 March was the time for SU-METAL, but the management office had not announced anything about BABYMETAL's activity (until the end of this concert). That's why so many fans were afraid that BABYMETAL might disband then. After the concert they announced the "limited-time" extension of BABYMETAL, but the deadline has not been announced as yet.
- MOAMETAL misspoke. They performed in Osaka first of the tour.
Many artists say Osaka audience react to good/bad performance more frankly than Tokyo, that is, say, if performance ranges from 20 to 80, Osaka reaction ranges from 20 to 80, while Tokyo reaction ranges from 40 to 60. It would make a good performance at Osaka more impressive than elsewhere. - I guess YUIMETAL probably referred to the last concert of the tour. They held two concerts on that day.
- In the stories narrated with painted pictures in the concerts of the tour, four Metalmasters showed BABYMETAL four things important to the true metal, and BABYMETAL got them: speed, prayer, fortitude and pride.
- MOAMETAL sang "Love Machine" (Morning Musume.'s hit in 1999). She had already sung "Onedari Daisakusen" as Black BABYMETAL, but perhaps she had in her mind more melodious songs than such rap music. She had also sung many solo parts as a member of Sakura Gakuin and its subgroup Mini-Patissier.
- BABYMETAL appeared at "Music Japan" (NHK's TV program) twice before then (one tune in 2013 Jan. and one tune & few minutes talk in 2013 Jul. (recorded in Jun.) ). NHK is the Japanese public broadcasting and the capacity of the hall is about 3600.
- It was the Rainbow Stage (capacity: 10,000), and SU-METAL said (in some radio program) they watched the performance of Momoiro Clover Z, a famous Japanese girl idol group. They performed on that stage in 2013, and will perform on a bigger stage in 2014.
- I'm sorry I can't hear well what SU-METAL says in this part. I guess perhaps she referred to such people to watch non-popular artists to find the newest star among them, and so translate.
- They performed on an open-air stage around 16:00 in the Osaka site (while on an indoor stage with air-conditioning in the Chiba site), and Osaka was hell hot that day.
- MOAMETAL actually said "even at away" (of "home and away" of sports games). BABYMETAL had already performed at some idol festivals, but there seem to be some unspoken rules in such festivals not to discourage the performers (e.g. even if non-popular performers agitate the audience, most of them kindly return positive responses).
Ordinary music festivals are away stages, and BABYMETAL seemed to be somewhat discouraged by the scantiness of reactions at first. But later they said it is the true charm of music festivals that the audience who show no reaction at first become to show more and more reactions while watching their performance. - I don't know what else BABYMETAL did, but, as far as I hear, many of audience waved small red lights during the performance, and BABYMETAL handed their autographs (or postcards) directly to their fans after (before?) the overseas concerts. Those are ordinaries among Japanese idols but BABYMETAL and their fans don't do them inside Japan.
- The capacity of the event hall of Makuhari Messe is about 8000.
- Actually BABYMETAL had already performed at Budokan once before. They performed "Headbangeeeeerrrrr" as guest performers of DJ Piere NAKANO at the event called "DECEMBER'S CHILDREN" on 2012 Dec. 27th.
The transcription (.srt file) is below.
The timestamps are for the original and differ 6m15s2 because the video on Google Drive lacks the music part.
1 00:06:49,000 --> 00:06:52,900 In December 2013, the legendary apocalypse was finally released, which the Fox God gave us. 2 00:06:53,000 --> 00:06:56,900 With the book of apocalypse just arrived at hand, looking back to the Legends written in the apocalypse, 3 00:06:57,000 --> 00:07:00,800 BABYMETAL talk about their past, present and future. 4 00:07:03,500 --> 00:07:05,600 The formation of BABYMETAL (2010 Autumn) 5 00:07:05,800 --> 00:07:13,900 I had mainly listened to idol songs and, in addition, some ballads. 6 00:07:14,000 --> 00:07:20,100 Since it (= heavy metal) was a quite new genre to me, since it was the music that I had never listened to, 7 00:07:20,200 --> 00:07:25,500 I was very surprised at first to know there is such a kind of music. 8 00:07:25,600 --> 00:07:28,500 And, thinking I was going to sing such songs, 9 00:07:28,600 --> 00:07:32,400 my heart was thumping with full of excitement. 10 00:07:33,500 --> 00:07:36,600 [MOA] I wondered what "JUU-ON" was. *1 11 00:07:36,700 --> 00:07:43,000 I thought it would mean the heavy sound, 12 00:07:43,100 --> 00:07:47,000 and I wondered if we sing carrying a heavy load. 13 00:07:47,100 --> 00:07:51,000 But, listening to the tune and watching the choreography, 14 00:07:51,100 --> 00:07:56,000 I was glad to know there is such a new kind of music. 15 00:07:57,300 --> 00:08:01,000 [YUI] Because I didn't known the heavy metal music itself, 16 00:08:01,100 --> 00:08:07,100 I didn't know well why the fans do headbanging... 17 00:08:07,300 --> 00:08:09,900 "Doki Doki * Morning", the first tune (2010 Nov. 28th) *2 18 00:08:10,000 --> 00:08:13,600 [YUI] In the interlude, when we lay down on the floor, 19 00:08:13,700 --> 00:08:20,300 our audience seemed to wonder whether we were alright, and a stir arose among them. 20 00:08:20,400 --> 00:08:27,700 But, when we got up at "RIN RIN RIN", they turned to look relieved. 21 00:08:27,800 --> 00:08:30,700 Well, 22 00:08:30,800 --> 00:08:35,300 I felt as if we had played a trick on our audience... 23 00:08:36,800 --> 00:08:40,500 [MOA] When we fell down, our audience were surprised 24 00:08:40,600 --> 00:08:42,900 and then laughed. 25 00:08:43,000 --> 00:08:45,000 I was... 26 00:08:45,100 --> 00:08:52,300 I was somehow excited about being laughed at, and my heart was thumping. 27 00:08:53,900 --> 00:09:00,000 [SU] When we danced to this song for the first time, our audience laughed. 28 00:09:00,100 --> 00:09:05,000 I found I was somehow glad to see that. 29 00:09:05,100 --> 00:09:11,300 I was surprised to find the feeling of being glad to be laughed at. 30 00:09:11,400 --> 00:09:18,200 And I felt I found my different self from usual in our very first live performance. 31 00:09:18,300 --> 00:09:20,900 About "IJIME, DAME, ZETTAI" (2011 Jul. 24th) *3 32 00:09:21,300 --> 00:09:27,100 [SU] It is the tune we have made up though our live performances... 33 00:09:28,000 --> 00:09:32,600 [MOA] I felt it was the fight with myself rather than against the bullying. 34 00:09:32,700 --> 00:09:36,800 Fighting (= dancing) with being conscious of the fight with myself, 35 00:09:36,900 --> 00:09:42,100 I came to understand the lyrics of this song gradually. 36 00:09:43,900 --> 00:09:53,400 [YUI] At first, all I could do was to interject the chants and to dance the choreography, 37 00:09:53,500 --> 00:09:59,100 and, well, I enjoyed the tune with our audience very much. 38 00:09:59,200 --> 00:10:06,000 But now I know I strained too much for the performance then. 39 00:10:06,100 --> 00:10:10,300 Watching our then video, I feel it was a bit different from our present performance. 40 00:10:11,000 --> 00:10:20,500 [SU] I think the tune has been changing and will keep changing through our live performances. 41 00:10:20,700 --> 00:10:23,500 The impression of the Corset Festival, the first solo concert (2012 Jul. 21st) *4 42 00:10:24,200 --> 00:10:26,700 [MOA] It was simply hot. 43 00:10:26,800 --> 00:10:31,200 It was the first time that we performed at Rockmaykan. *5 44 00:10:31,300 --> 00:10:37,300 When entering the venue, I saw (some) figurines and many autographs of artists. 45 00:10:37,400 --> 00:10:48,600 I thought many musicians had performed there and it was the gateway-to-success in the heavy metal music. *6 46 00:10:49,200 --> 00:11:00,500 [YUI] All our audience wore the neck brace, *7 and they looked choked with it. I was worried about that. 47 00:11:00,600 --> 00:11:08,900 And what's more, our audience got so lively that the whole venue was heated. 48 00:11:09,000 --> 00:11:17,500 In such condition, I did the performance almost to the limit of falling down, 49 00:11:17,600 --> 00:11:20,600 so I felt very much the sense of accomplishment in the end. 50 00:11:21,100 --> 00:11:27,300 [SU] It was the moment from when my memory was lost, or the moment the Fox God descended. 51 00:11:27,400 --> 00:11:34,700 We often say the descent of the Fox God since then. I got such feeling for the first time then. 52 00:11:34,800 --> 00:11:37,200 LEGEND "I" (2012 Oct. 6th) 53 00:11:37,300 --> 00:11:42,000 [SU] It was the first time that I sang with the live band accompaniment. *8 54 00:11:42,100 --> 00:11:44,800 When I listened to it for the first time at the rehearsal, 55 00:11:44,900 --> 00:11:48,000 it sounded so differently that I wondered whether it was the same song, 56 00:11:48,100 --> 00:11:50,000 and it sounded very cool. 57 00:11:50,100 --> 00:11:57,800 Since I listened to rock bands' performance for the first time, since I hadn't been to the concerts of rock bands before, 58 00:11:57,900 --> 00:12:01,500 I really felt like I experienced the unknown world. 59 00:12:01,600 --> 00:12:11,900 And, singing with the live band, I felt like I was the vocalist of a rock band. 60 00:12:12,000 --> 00:12:16,000 I also got a bit of confidence in my own singing. 61 00:12:17,400 --> 00:12:22,400 [MOA] I came to listen to music with paying much attention to each note. 62 00:12:22,600 --> 00:12:26,600 The debut of BLACK BABYMETAL (at Legend "I") 63 00:12:26,900 --> 00:12:30,000 [YUI] Since BLACK BABYMETAL... 64 00:12:30,100 --> 00:12:34,900 wear parkas and do rap music, 65 00:12:35,000 --> 00:12:44,500 well, I think MOAMETAL and YUIMETAL look quite different from usual BABYMETAL. 66 00:12:44,600 --> 00:12:46,600 Well, 67 00:12:46,700 --> 00:12:51,200 I found it difficult to put on and off the hood. 68 00:12:51,300 --> 00:12:58,000 And, well, chant... 69 00:12:58,100 --> 00:13:00,300 Though we sang the song for the very first time, 70 00:13:00,400 --> 00:13:05,100 our audience kindly chanted with us. I was surprised at that. *9 71 00:13:06,000 --> 00:13:12,100 [MOA] I got somewhat tired during the rehearsal. 72 00:13:12,200 --> 00:13:16,300 But, though I felt so during the rehearsal, 73 00:13:16,400 --> 00:13:24,800 I felt the live performance was up so smoothly and quickly that, after the performance, I wanted to perform again soon. 74 00:13:25,000 --> 00:13:26,300 LEGEND "D" (2012 Dec. 20th) 75 00:13:26,600 --> 00:13:35,500 [YUI] I was very glad to sing on the stage the song of Karen Girl's I've been admiring. *10 76 00:13:35,600 --> 00:13:38,400 In addition, because I like dance very much, 77 00:13:38,500 --> 00:13:44,100 I was very glad to perform the dance version of "Headbangeeeeerrrrr". *11 78 00:13:44,200 --> 00:13:49,800 And I was glad to sing "Tsubasa o Kudasai" last of all because I like chorus, too. 79 00:13:49,900 --> 00:13:53,100 Though it was SU-METAL's birthday celebration, 80 00:13:53,200 --> 00:13:57,100 the concert was full of what I like very much. 81 00:13:57,200 --> 00:14:03,700 I was very glad to perform much of what I like very much. 82 00:14:04,400 --> 00:14:09,700 [MOA] There were many things I tried for the first time. 83 00:14:09,800 --> 00:14:16,100 For example, during "Headbangeeeeerrrrr", 84 00:14:16,200 --> 00:14:20,600 I danced with the Sisters Bones, *11 85 00:14:20,700 --> 00:14:28,800 we sang the songs that are not our original, etc. 86 00:14:28,900 --> 00:14:32,100 I thought we tried many new things. 87 00:14:32,200 --> 00:14:33,500 And, 88 00:14:33,600 --> 00:14:37,300 when we sang "Tsubasa o Kudasai" for the encore, 89 00:14:37,400 --> 00:14:40,600 our audience 90 00:14:40,700 --> 00:14:42,600 got very lively. 91 00:14:42,700 --> 00:14:45,300 All the people there celebrated SU-METAL's birthday together. 92 00:14:45,400 --> 00:14:52,200 I was much impressed with the sense of unity and I was about to cry at the end. 93 00:14:53,100 --> 00:14:57,700 [SU] I was glad to have my birthday celebrated. 94 00:14:57,800 --> 00:15:10,800 I was becoming fifteen years old and "Headbangeeeeerrrrr" is a song of a fifteen-years-old girl, 95 00:15:10,900 --> 00:15:21,800 so I then made up my mind to become a beautiful, pretty woman like the girl expressed in the song. 96 00:15:21,900 --> 00:15:23,300 And, 97 00:15:23,400 --> 00:15:31,400 in that concert, I felt like becoming my new self, leaving my old self. 98 00:15:31,600 --> 00:15:33,200 LEGEND "Z" (2013 Feb. 1st) 99 00:15:34,900 --> 00:15:40,800 [SU] Rumor said it might be our last concert, didn't it? *12 100 00:15:40,900 --> 00:15:42,700 so... 101 00:15:42,800 --> 00:15:50,300 our fans gave us shouts of "BABYMETAL" before the encore. 102 00:15:50,400 --> 00:15:55,700 I was very glad to hear that. 103 00:15:55,800 --> 00:15:57,700 Though... 104 00:15:57,800 --> 00:16:03,300 though I thought I was ready to make a fresh start for new BABYMETAL, 105 00:16:03,400 --> 00:16:07,800 I became gradually sad while dancing to the tunes. 106 00:16:07,900 --> 00:16:11,600 And, on the encore, when we wore white costumes for the first time, 107 00:16:11,700 --> 00:16:14,600 our audience raised the cries of joy for our appearance on stage. 108 00:16:14,700 --> 00:16:22,000 Then we danced to "BABYMETAL DEATH" for the re-birth of BABYMETAL. 109 00:16:22,100 --> 00:16:26,400 Though it contains only the dance (no melody), 110 00:16:26,500 --> 00:16:27,500 I think... 111 00:16:27,600 --> 00:16:34,300 it is an important tune both for us and for our fans. 112 00:16:34,400 --> 00:16:42,500 I think the concert became the fresh start for new BABYMETAL. 113 00:16:44,500 --> 00:16:48,100 [YUI] There were many gimmicks on the stage, 114 00:16:48,200 --> 00:16:53,400 such as the gimmick sounding like a bomb, 115 00:16:53,500 --> 00:17:01,500 the stage being lifted up, which I didn't stand on, 116 00:17:01,600 --> 00:17:04,800 and I saw the fire on our stage for the first time. 117 00:17:04,900 --> 00:17:10,400 There were many gimmicks that surprised our audience... 118 00:17:11,800 --> 00:17:18,800 [MOA] First, when we came to the stage for the encore wearing white costumes, 119 00:17:18,900 --> 00:17:22,900 as I always find my new self in every BABYMETAL's activity, 120 00:17:23,000 --> 00:17:24,800 then too..., 121 00:17:24,900 --> 00:17:30,600 I met my different self from usual, or rather, 122 00:17:30,700 --> 00:17:35,400 I showed our audience my different self from usual. I was very glad for that. 123 00:17:35,500 --> 00:17:38,800 And... 124 00:17:38,900 --> 00:17:45,000 there were many fans who were afraid that BABYMETAL might end at that concert. 125 00:17:45,100 --> 00:17:52,200 With us, or rather, for us they cried. 126 00:17:52,300 --> 00:18:03,100 I felt they gave us love and we got lively together. I was really glad for that. 127 00:18:03,200 --> 00:18:06,400 About the May Revolution (2013 May 10th, 17th & 18th), all tunes performed with live accompaniment of "Kami Band" 128 00:18:06,600 --> 00:18:08,500 [SU] I was uneasy at first. 129 00:18:08,600 --> 00:18:12,000 To the last... 130 00:18:12,100 --> 00:18:18,400 I was worried whether I could sing well to the last. 131 00:18:18,500 --> 00:18:21,100 I was worried about many things, 132 00:18:21,200 --> 00:18:26,700 whether my voice would be overwhelmed by the sound of the live band, etc, 133 00:18:26,800 --> 00:18:30,900 because I had sung only two songs or so with live accompaniment before then 134 00:18:31,000 --> 00:18:34,500 and I couldn't imagine how our audience would react. 135 00:18:34,600 --> 00:18:42,600 But there was also much freshness such as performing "Doki Doki * Morning" with live band. 136 00:18:42,700 --> 00:18:45,000 Through the live performances of the tour, 137 00:18:45,100 --> 00:18:47,500 as it was called "the training tour", 138 00:18:47,600 --> 00:18:51,000 I really learned many things. 139 00:18:52,700 --> 00:18:54,500 [MOA] I enjoyed it very much. 140 00:18:54,600 --> 00:19:01,200 And... the one... 141 00:19:01,300 --> 00:19:06,900 the one when I was the least tired ever, or rather, 142 00:19:07,000 --> 00:19:10,400 the one that I was satisfied the most ever 143 00:19:10,500 --> 00:19:14,800 was the last concert of the May Revolution in Osaka. *13 144 00:19:14,900 --> 00:19:21,800 When it was over, 145 00:19:21,900 --> 00:19:26,800 I felt (I was not tired) as if I had not performed the live performance, 146 00:19:26,900 --> 00:19:30,600 or rather, I wanted to do one more performance then. 147 00:19:31,000 --> 00:19:40,100 [YUI] Until then, we BABYMETAL had always performed with all our strength all through the concert. 148 00:19:40,200 --> 00:19:45,400 But, in a concert of the May Revolution, we ran out of stamina before the end of concert, *14 149 00:19:45,500 --> 00:19:52,800 so three of us decided for the first time which points to give high priority in our performance. 150 00:19:52,900 --> 00:20:02,500 Well, we learned four things such as mosh'sh or headbanging in the May Revolution. *15 151 00:20:02,600 --> 00:20:08,400 In addition, one more thing for our future..., 152 00:20:08,500 --> 00:20:12,800 I think we found one more important thing to our future in those live performances. 153 00:20:13,000 --> 00:20:18,600 LEGEND "1999" (2013 Jun. 30th) 154 00:20:18,800 --> 00:20:22,900 [MOA] On SU-METAL's birthday celebration, 155 00:20:23,000 --> 00:20:29,100 I saw so many people celebrated her birthday. 156 00:20:29,200 --> 00:20:34,700 Thinking the next would be our turn, 157 00:20:34,800 --> 00:20:39,400 my heart kept on thumping. 158 00:20:39,500 --> 00:20:42,000 And I sang a solo song for the first time. 159 00:20:42,100 --> 00:20:45,800 Before then... 160 00:20:45,900 --> 00:20:50,700 many of BABYMETAL's fans had not listened to my singing. *16 161 00:20:50,800 --> 00:20:55,800 I was a bit glad to sing for them. 162 00:20:56,800 --> 00:21:03,500 [YUI] Since we had stood on the stage of the NHK Hall for the TV show before, *17 163 00:21:03,600 --> 00:21:11,100 imagining the hall would be full of BABYMETAL's fans and we would perform for them, 164 00:21:11,200 --> 00:21:14,500 I had been looking forward to the concert very much. 165 00:21:14,600 --> 00:21:19,300 And it was a very happy birthday (celebration) I had never had. 166 00:21:19,500 --> 00:21:22,800 Appearing at Summer Sonic, the cherished wish (2012 Aug. 19th / 2013 Aug. 10th & 11th) 167 00:21:23,800 --> 00:21:31,000 [SU] Of course I knew the Summer Sonic Festival is a great music festival, 168 00:21:31,100 --> 00:21:35,700 and I felt joy to appear at the festival. 169 00:21:35,800 --> 00:21:38,300 But what surprised me the most was another thing. 170 00:21:38,400 --> 00:21:46,500 At Summer Sonic Tokyo 2012, we had a chance to perform on the DJ booth 171 00:21:46,600 --> 00:21:51,400 which was a small stage beside the food court. 172 00:21:51,500 --> 00:21:53,600 After our performance, 173 00:21:53,700 --> 00:22:00,700 we talked about watching the live performance of some artists who appeared on a bigger stage, *18 174 00:22:00,800 --> 00:22:03,400 and we went watching before leaving the site. 175 00:22:03,500 --> 00:22:07,000 I was surprised the stage was very far from us. 176 00:22:07,100 --> 00:22:13,700 But, though I felt so before the performance, watching the live performance, I was more and more pulled in, 177 00:22:13,800 --> 00:22:18,700 and, after the performance, when the lights for the audience were on, 178 00:22:18,800 --> 00:22:24,600 I was again surprised that the stage was actually far because I felt the stage was much nearer during the live performance. 179 00:22:24,700 --> 00:22:29,100 Three of us said each other that we hoped someday we would perform on such a (big) stage. 180 00:22:29,200 --> 00:22:38,100 But we thought it would be in the far future, and didn't anticipate it would realize, 181 00:22:38,200 --> 00:22:40,700 so, while performing on the stage, 182 00:22:40,800 --> 00:22:46,900 I wondered very much whether we stood on the same stage that we had watched the previous year. 183 00:22:47,000 --> 00:22:48,500 I think that... 184 00:22:48,600 --> 00:22:54,700 the audience who watched us at Summer Sonic 2012 probably hoped to watch (non-popular) artists who appeared on a small stage. *19 185 00:22:54,800 --> 00:22:57,200 I hoped to tell such people my wonder at appearing on a bigger stage, 186 00:22:57,300 --> 00:23:04,100 and, of course, I hoped very much that our fans would keep feeling us near (even at a bigger stage). 187 00:23:04,200 --> 00:23:08,400 I thought such things. 188 00:23:09,400 --> 00:23:12,900 [YUI] We had already appeared at Summer Sonic in 2012. 189 00:23:13,000 --> 00:23:20,500 After our then performance, we went watching a bigger stage on which we didn't perform. 190 00:23:20,600 --> 00:23:29,800 We said each other we hoped three of us would perform on such a (big) stage, like a dream within a dream. 191 00:23:29,900 --> 00:23:39,400 When we performed at Summer Sonic this year (= 2013), feeling I was really dancing on that stage, 192 00:23:39,500 --> 00:23:48,500 well, I felt the oracles the Fox God gave us were really awesome. 193 00:23:48,600 --> 00:23:51,400 And... 194 00:23:51,500 --> 00:23:54,900 it was very hot in the Osaka site. *20 195 00:23:55,000 --> 00:24:02,700 Though I had gained stamina through Sama..., no, not Summer Sonic, through appearing at many events that summer, 196 00:24:02,800 --> 00:24:08,400 I was really about to collapse by heat in Summer Sonic Osaka. 197 00:24:08,500 --> 00:24:14,900 But I made eye contact with MOAMETAL many times like saying "do our best to the last". 198 00:24:15,000 --> 00:24:24,100 We repeated such actions to power each other up. 199 00:24:24,200 --> 00:24:31,200 At last, when we got off the stage, I poured water upon myself for the first time. 200 00:24:31,300 --> 00:24:33,400 Well, 201 00:24:33,500 --> 00:24:37,100 I was very glad that we did our performance to the end. 202 00:24:37,200 --> 00:24:45,000 I guess our audience suffered from the heat more than us, 203 00:24:45,100 --> 00:24:48,100 and, well, 204 00:24:48,200 --> 00:24:53,400 probably some of them got the heat fatigue then, 205 00:24:53,500 --> 00:24:58,000 but they kindly smiled and enjoyed with us. 206 00:24:58,100 --> 00:25:00,800 I was very glad for that and enjoyed the live performance very much. 207 00:25:01,700 --> 00:25:06,000 [MOA] Well, before then, 208 00:25:06,100 --> 00:25:10,500 I had minded too much how our audience react. 209 00:25:10,600 --> 00:25:18,000 I had thought that we should try hard to excite our audience if they are not excited. 210 00:25:18,100 --> 00:25:20,900 But, appearing at these summer music festivals, 211 00:25:21,000 --> 00:25:27,100 I found it the best way that we BABYMETAL perform in our own style even in front of the audience other than our fans. *21 212 00:25:27,200 --> 00:25:29,400 And, at Summer Sonic, 213 00:25:29,500 --> 00:25:35,800 I realized once again that keeping BABYMETAL's style is really important. 214 00:25:36,000 --> 00:25:38,700 Dream of overseas performance (2012 Nov. 10th, Singapore / 2013 Sep. 7th, Jakarta / Nov. 9th, Singapore) 215 00:25:39,200 --> 00:25:51,600 [MOA] Our overseas fans support us and give comments on our videos on YouTube. 216 00:25:51,700 --> 00:25:54,500 I was very glad to meet such fans. 217 00:25:54,600 --> 00:26:03,100 When we went to meet our overseas fans, we were always welcomed at the airport. 218 00:26:03,200 --> 00:26:07,200 I felt that, making up for not visiting before, 219 00:26:07,300 --> 00:26:10,400 I wanted to go overseas more often 220 00:26:10,500 --> 00:26:18,400 to return this happiness our overseas fans had given us. 221 00:26:19,400 --> 00:26:25,100 Well, we did many things which we couldn't do in the concerts in Japan, *22 222 00:26:25,200 --> 00:26:36,300 we met directly our many overseas fans whom we couldn't meet usually, 223 00:26:36,400 --> 00:26:39,100 and we got very lively together in the concert. 224 00:26:39,200 --> 00:26:41,300 I was very glad for that. 225 00:26:41,400 --> 00:26:44,900 And I feel like doing the world concert tour whenever I go overseas. 226 00:26:45,100 --> 00:26:49,200 LEGEND "1997" (2013 Dec. 21st) 227 00:26:49,300 --> 00:26:54,600 [SU] It has been one year since my birthday celebration of last year, and half year since the last solo concert. 228 00:26:54,700 --> 00:26:56,900 There is a rather long interval. 229 00:26:57,000 --> 00:26:59,300 In this period, 230 00:26:59,400 --> 00:27:05,100 we have learned various things, we have performed at various music festivals, and we have met various people. 231 00:27:05,200 --> 00:27:10,800 I think this year we have changed in various aspects. 232 00:27:10,900 --> 00:27:15,300 Since this is the first solo concert in a half year, 233 00:27:15,400 --> 00:27:17,500 for showing to our audience 234 00:27:17,600 --> 00:27:22,600 how we have changed, how we have grown, and how we have tried until now, 235 00:27:22,700 --> 00:27:27,800 or rather, for showing fully the results of our experience in various music festivals, 236 00:27:27,900 --> 00:27:33,500 and for making a wonderful start of my age of sixteen, I will do my best. 237 00:27:34,700 --> 00:27:38,300 [YUI] Since the venue is large, *23 238 00:27:38,400 --> 00:27:40,200 well, 239 00:27:40,300 --> 00:27:50,000 I hope that even the rearmost audience will be satisfied with today's BABYMETAL's concert. 240 00:27:50,100 --> 00:28:03,700 With our stamina built up this year, rehearsing hard the points discussed to give high priority, 241 00:28:03,800 --> 00:28:05,100 well, 242 00:28:05,200 --> 00:28:09,500 I want to make the concert the best, celebrating SU-METAL's birthday. 243 00:28:12,000 --> 00:28:14,600 [MOA] Until now, 244 00:28:14,700 --> 00:28:21,000 if I may say so, we have been going smoothly, 245 00:28:21,100 --> 00:28:28,400 and we've got a chance to hold a concert at such a big venue. 246 00:28:28,500 --> 00:28:31,100 For today's concert..., 247 00:28:31,200 --> 00:28:36,500 I see so many people have gathered for BABYMETAL. 248 00:28:36,600 --> 00:28:43,900 I am looking forward very much to getting lively together. 249 00:28:44,000 --> 00:28:47,700 Nippon Budokan, the dream stage (2014 Mar. 1st & 2nd) 250 00:28:47,800 --> 00:28:53,400 [SU] I haven't realized at all yet that we are going to hold the solo concert at Budokan. 251 00:28:53,500 --> 00:28:58,600 Looking back to the time of our formation, it was really a dream to appear at Budokan, 252 00:28:58,700 --> 00:29:01,700 and I still feel as if I was dreaming. 253 00:29:01,800 --> 00:29:09,200 Because it also has been my long personal dream to appear at Budokan to hold a concert, 254 00:29:09,300 --> 00:29:14,800 I have a lot of joy of my dream coming true. 255 00:29:14,900 --> 00:29:20,000 And I hope our fans think we BABYMETAL have come this far (= enough to appear at Budokan). 256 00:29:20,100 --> 00:29:22,400 More... 257 00:29:22,500 --> 00:29:28,300 I think I should make more effort even from now on. 258 00:29:28,400 --> 00:29:33,100 But the joy of my dream coming true is greater than it for the present. 259 00:29:33,200 --> 00:29:35,400 I am looking forward to the concert very much. 260 00:29:36,100 --> 00:29:41,100 [YUI] I really haven't thought we could appear at Budokan. 261 00:29:41,200 --> 00:29:48,800 Well, I imagine..., no, I can't imagine it because it's a dream within a dream. 262 00:29:48,900 --> 00:29:58,500 Well, now supposing we BABYMETAL would stand on the stage of Budokan in March by ourselves, *24 263 00:29:58,600 --> 00:30:01,900 well, 264 00:30:02,100 --> 00:30:05,800 I feel it is really awesome. 265 00:30:05,900 --> 00:30:10,600 And (I need) the power I don't have now... 266 00:30:10,700 --> 00:30:17,500 I want to be able to do what I can't do now, to face the concerts at Budokan. 267 00:30:18,800 --> 00:30:20,700 [MOA] I can't believe it. 268 00:30:20,800 --> 00:30:25,800 I haven't thought we would appear at Budokan. 269 00:30:25,900 --> 00:30:28,000 To be honest, 270 00:30:28,100 --> 00:30:31,300 because we'll hold two concerts in successive days, 271 00:30:31,400 --> 00:30:41,300 I'm worried whether the audience will get lively, whether the hall will be full of the audience. 272 00:30:41,400 --> 00:30:45,300 But, as I have said a while ago, 273 00:30:45,400 --> 00:30:53,900 I want BABYMETAL to push ahead keeping our own style. 274 00:30:54,100 --> 00:30:58,000 Lastly, about the future of BABYMETAL 275 00:30:58,300 --> 00:31:01,500 [MOA] Last of all? 276 00:31:01,600 --> 00:31:05,300 BABYMETAL... 277 00:31:06,800 --> 00:31:11,800 [YUI] What will happen to BABYMETAL from now? 278 00:31:11,900 --> 00:31:13,700 Eh? 279 00:31:13,800 --> 00:31:17,900 How do you think about it? 280 00:31:20,200 --> 00:31:24,300 [MOA] After all, I want to do a social reform. 281 00:31:25,600 --> 00:31:29,300 [SU] What will happen to BABYMETAL? 282 00:31:29,400 --> 00:31:32,500 Only the Fox God knows. ==== The above one empty line is needed at the end of .srt file. ====
Hi.
ReplyDeleteThank you so much for this work.
I like your accurate translations and notes and they really helped me to understand babymetal.
Thank you for your comment. I know rough and quick is much better, but, in short, YUIMETAL's cute facial/vocal expressions and gestures force me to make tight-synchronized subtitles, and MOAMETAL's meaningful phrases force me to make detailed explanations.
DeleteDo you have the srt file of this vid? Can I ask it from you thanks...
ReplyDelete.srt file is a plain text. Copy the above section, paste it into Notepad or some text editor and save it as suitable name.
DeleteWonderful! Babymetal is really a miracle combination of genius musical imagination, high energy, awesome singing and dance choreography. They are so far more polished than any other similar group of their age it is just incredible. Combined, they are truly an amazing phenomenon. A treat for the ears and eyes. A cute, astonishing, and powerful performance.
ReplyDeleteThere is no doubt that the girls and band must have had near-endless practice sessions to get the music, singing and choreography right. Because they are so young, I am sure many of their fans (me included) wonder if the pressure is sometimes too much for them. This amount of work effort is not the norm for girls of their age. When I watched this video, and others like it, I still wondered how much they enjoy what they do and how much they want to continue their group in the future. It seems that they are truly dedicated to their project. But I do hope that it is their true wish to continue forward into the future with the group, and not just carefully crafted stage management asking them to say so.
I don't know what BABYMETAL said in Europe because I miss many of their interviews in Europe.
DeleteI guess our three girls, as professionals (so METAL doesn't matter so much), enjoy their own performance and hope to continue as long as they get new tunes worth performing. But, as long as that producer leads everything, it's a difficult problem when (& what) new tunes come...
Thank you very much for the translation Du Enki-san!
ReplyDeleteI appreciate your work.
Regards: DTom
As usual, sir...
ReplyDeleteありがとうございました!
o((*^▽^*))o
Also added .srt to my version.
Merci. .srt is literally "Je vous en prie".
DeleteThank you for your comment.
ReplyDeleteShe actually used the same noun "odoroki" three times (surprised, wondering, feeling of awe). I take the third as referring to the second, but it is possible to refer to the first as well. Of course she had in her mind something to say to junior (or less popular) performers.
Nevertheless, I am sure I hear "(aatisuto)...toka o mini..." though I'm not sure of the preceding part. This "o" indicates that "...toka" (= such as ...) is the OBJECT of "mini..." (= see), NOT the AGENT of the act, and she used the honorific form for this "see", so I complement the sentence with "audience" as agent.
Probably because of the silence after, monsterpanda san attached "as well as the fans" (literally "of course the fans too") to the preceding sentence. But, if so, the object of the following sentence is missing (complemented with "them"), and I guess she would then put some word to indicate the silence is the end of the sentence because grammatically the end comes BEFORE "of course the fans too".
Thank you for Info. I saw the tweet by chance. I don't know whether Japanese to English or reverse, but anyway I'm not good at translating YouTubers reactions unless they are called "Moa", "Yui", "Suzuka". (^_^;)
ReplyDeleteI can certainly appreciate that.
ReplyDelete^_^ \m/
Thanks so much!!!
ReplyDeleteHi Du Enki! I would like to ask about the fox signs they always do when they're doing performances... Is it somehow relates with the japanese believes as fox god? no offence, I'm just curious... arigatou!
ReplyDeleteNo, it isn't. It began with BABYMETAL's mistake of the sign of the horns as said at [Talking on HotWave 1] 2'30"-.
DeleteJapanese children sometimes play with fox sign, but there is no religious meaning. And, though most Japanese associate "Kitsune sama" (= Fox God) with "Inari Ookami", not she herself but her messengers are foxes. Though the fox masks that BABYMETAL often wear are those of Inari Ookami's messengers, BABYMETAL have no special relation with Inari Ookami.
Thank Oinari-sama to be so tolerant!
thanxx a lot for your fast reply! very helpful!~
DeleteThank you for information.
ReplyDeleteIt's even removed from DailyMotion. Not very nice.
ReplyDeleteThank you for information. I think about what to do with it.
DeleteDu Enki-san
ReplyDeleteIt is now back up at Daily Motion...at least for the moment. Feel free to use, embed, etc.
http://www.dailymotion.com/video/x25h5kz_the-history-of-babymetal-english-captions-babymetal%E3%81%AE%E6%AD%B4%E5%8F%B2_music
\m/ (^_^)
Thank you for uploading it. I wish it to survive longer.
Deleteどうもありがとう! m (_ _) \m/
ReplyDelete